Sarah Lejeune holds a BA in Art and English Literature from Smith College and an MFA in Painting and Sculpture from Claremont Graduate University and is a painting fellow of The Virginia Center for the Arts.
2024/25 Light Studies
"Fog" 6"x 6", mixed media on wood.
"Flight" (study). 24" x 24", mixed media on weed cloth.
"Fire Kasina", 6" x 6", mixed media on wood. (private collection)
"Green Flash One", 5" x 7", pastel and oil on cardboard. 2025
"Green Flash Three", 5" x 7", pastel and oil on cardboard. 2025.
"Flight", 36" x 72", mixed media on panel.
"Tuna Canyon", 11" x 70", mixed media on panels
2025/26 -The Burn Scar
On January 7th, 2025, The Palisades Fire burned through the Pacific Palisades, Malibu, Topanga and the Santa Monica Mountains where I live. I documented the regrowth in the landscape with photos (see below), and these images inspired an ongoing series of paintings.
"Burn Scar: Sacred Datura" 60" x 42".mixed media on panel. 2025
"Burn Scar: Giant Wildrye" 60" x 42" . mixed media on panel. 2025
Study for "Burnscar: Manzanita" 8" x 11", crayon, collage, laser print. 2026
"Fog Rolling In", 20"x 14", watercolor, pastel, graphite on rag paper. 2026.
"In Memorium", 20" x 14", pastel, watercolor and graphite on rag paper. 2026
"Green Sky, Charred Branches", 20' x 14", pastel and oil on rag paper. 2026
2025/26 Work in Progress
For thousand of years horse’s have carried humans and our metaphors. In these days we need of a symbol of great strength and great kindness. As a type of meditation, I draw horses at play, unburdened
"Six Horses Dancing on the Head of a Pin" digital composite of pastel drawings, printed on canvas, 16" x 24" 2025
"The Buck" Digital composite of pastel drawings. 2025
"Los Angeles", 11" x 8", mixed media on paper. 2025
"Sunny's Spirit Ponies" digital composite of pastel drawings. 2025
"Fire Horse", 8" x 11", crayon and oil pastel on paper. 2026
"Midair" 11' x 8". mixed media on paper. 2025
2025 - Photographing the The Burn Scar
After the Palisades Fire burned through the Pacific Palisades, Malibu, Topanga and the Santa Monica Mountains, I returned from evacuation to find that my house was spared, but much of the wild land around me was devastated. In the following months I tried to understand the destruction from the perspective of the Santa Monica Mountains landscape, that has evolved to adapt to fire. I documented the regrowth in the burn scar to tell one story of re-generation. This process of documentation led to the paintings above.
January 28, arriving in the burn scar
February 1, scorched earth
February 3, the first green
March 7, wild cucumber vine buds
March 10, wild cucumber vine blossoms
March 18, a veil of green
March 30, cucumber vine fruit
April 22, poppies and fog
2025: Recent creative work on the web
Topanga New Times article with photo-essay: “Manroot”: https://topanganewtimes.com/2025/04/18/the-manroot/
Pen and ink drawing as background for singer-songwriter Susan Anders new single: “Shoes”: https://youtu.be/HqS8ycfz6_Q
Cover art for singer-songwriter Susan Anders album: Now I Am a Kite: https://susanandersmusic.com/kite
Ideas, photos and works in progress on instagram: @sarahdlejeune
2023/24 Resisting Extinction
This life often feels threatened- subject to fires, floods, and the unpredictable violence of humankind. These are paintings of once-threatened creatures that now thrive -sandhill cranes in southern New Mexico and egrets and steelhead trout in southern California. To paint something is to honor it.
"Egret in the Rain" 20" x 16" , mixed media on wood. 2023
Steelhead Trout , 20" x 16" mixed media on wood.2023
"Moonrise", 72" x 48", acrylic on panel, private commission. 2024
"Sandhill Cranes in Field", 6" x 6", mixed media, and collage, on scrapwood. 2023
"Dawn Flight", 16" x 20", mixed media on wood. 2023
2020/22 Pandemic Still Lives
In 2020, while recovering from Covid-19, I started a series of works on paper to create a journal of “still lives” to honor those lost to the virus. These pieces memorialize the small sustaining objects of everyday that co-existed with great loss. The numbers represent the number of recorded deaths on the day the drawing was completed. Each piece is 8” x 6”, mixed media on paper.
Lecture Slides
2007 Belmont Beach, San Diego, Public Art: “Pixelated Summer”
Commissioned by the City of San Diego, Pixelated Summer includes two photographic tile panels, “Acqua and Fuoco” (Water and Fire) that flank the sides of the Belmont Beach public restroom adjacent to the historic rollercoaster and “The Plunge” public pool. Completed in 2007 in collaboration with Angelo and Zoe Camporaso..
Selected Interactive Exhibitions
Inspired by Fluxus art, I became interested in interactive, experiential art, creating pieces that invite public participation. As one of the founding members of The Collective, I participated in numerous community oriented art projects, such as Touch, which was exhibited in several venues in Southern California, invited viewers to wear a glove and keep it in exchange for perform the joyful interactive suggestion in the palm of the glove, such as "hop on one foot" or "sing". Handmade Histories a spoken word and installation piece in collaboration with Polly Chu was performed and exhibited on both coasts. A spoken word piece, Stones was selected for performance at the 1999 National Women’s Caucus for Art in 1996,
Selected images from interactive performative works: the Collective’s Touch, (including process image) A Sea of Free Green Shoes commissioned by Barnsdall Art Park, and Vital Hypocracies at West Gallery of Claremont Graduate University .
Resume
